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AFRICAN AMERICAN PAGES       Edition 001 

These pages contain complete examples and excerpts of traditional and contemporary African American game songs, rhymes, chants and slavery dance songs.  Most of the featured examples are from children’s play.  However, some featured rhymes and chants are from Black fraternities, Black sororities and other Black adult organizations.  Examples of game songs, rhymes and chants from other Black cultures throughout the world will be found on the WORLDWIDE pages.  Examples of African American slavery dance songs are also included because of their historical value and because their words, tunes and performance styles have often been used to create contemporary game songs, rhymes and chants. 

CocoJams’ examples are presented in alphabetical order based on the first letter of the first word of the title.  Number titles are listed under the first letter of the number’s word.  Titles are written in bold and placed above the example.  Words such as “soloist” and “group” are written in italics in front of call & response examples to indicate who is singing or chanting the lyrics.  These words aren’t recited.   

ALPHABET LISTING OF RHYMES, CHANTS, AND SONGS

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

LISTING BY CATEGORIES

AFRICAN AMERICAN SONGS
GAME SONGS RHYMES
Banana Split
Little Sally Ann
Mister Rabbit
Zoodio
I Don't Want To Go To Mexico
I Never Went To College
I Went To A Chinese Restaurant
Miss Mary Mack
Miss Sue, Scooby Doo
Tweeleelee
Zing, Zing, Zing
   
CHANTS  SLAVERY DANCE SONGS
Alafia's In The House Now
Ah Rah Rah Ah Boom Tang
Cheerleader, Version 2
Fly Girl
Hollywood Goes Swingin, Version 2
Hula Hula
Jay Jay Kukalay
Two Way Pass Away
Jim Along Josie
Juba
The Paterroller Song

Performance instructions are written in italics and placed in parenthesis either in the example or immediately below the example.  Words that may not have been clearly heard are written in italics and placed in parenthesis within the example.  Brief definitions of slang words and definitions of unfamiliar words are also written in italics and placed in parenthesis within the example.  Words that are written in italics and placed in parenthesis aren’t recited.  Some words in the examples of slave songs have been updated to make them more understandable or more politically correct.  These revisions are recited.  They can be identified because they are written in italics within the example’s lyrics, but aren’t placed in parenthesis.  Words such as “And”, “Yeah” and “Well” may be written in the beginning of chants and rhymes.  These words may be found in parenthesis within the examples, but are written without italics.  Performers can choose whether they want to recite these words.

Brief commentaries about the examples are written in smaller print below the example.  These comments provide information about when and where the game song, rhyme or chant was collected, and who or what was the source of the example.  The commentary also provides information about how the game song, rhyme or chant is played and who generally plays it.  In addition, the commentary also provides opinions on the cultural meanings of the example.  Unless it is otherwise indicated, the examples come from my collection and I have written the commentaries.  The names of other persons who provide examples and write commentaries will be noted in the commentary.

CocoJams visitors are encouraged to submit traditional and contemporary African American game songs, rhymes and chants for possible addition to this collection. 

Examples may be submitted with or without commentary.  Click on to the Submissions section for more information about how to send material to CocoJams.com.

Enjoy learning about Black culture with CocoJams.com!

 

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Copyright © 2001
Azizi Powell; All Rights Reserved
Last modified: December 04, 2008