HOME

ABOUT COCOJAMS

EXAMPLES OF:

Cheerleader Cheers

Children's Game Songs & Other Movement Rhymes

Children's Parodies

Choosing It Rhymes

Civil Rights Songs

Fraternity & Sorority Chants

Foot Stomping Cheers

Gospel & Spiritual Videos Links

Green Sally Up

Gross Out Rhymes & Songs

Handclap, Jump Rope, And Elastic Rhymes

Links to Steppin & Strolls Videos

Mardi Gras Indian Chants

Military & Other Cadences {Jodies}

School Yard Taunting Rhymes 


Secular Slave Songs

Teacher Taunts


COMMENTARY ABOUT/ LISTS OF:

Jambalaya-Readers Comments & Questions

Mardi Gras Indian Culture

Names & Nicknames

Text Messaging Terms

CONTACT  US

PRIVACY POLICY

 

   


 





 

                                       

   



Hollywood Goes Swingin, "East Hills Version" 

Category
: Handclap Rhyme
Source: Azizi Powell Collection, 1998 {Pittsburgh, PA, East Hills section, 1998;Teneisha & Antoinette}
 

Hollywood.
Hollywood goes swingin.
Hollywood goes
swingin.

Swingin for the good times.
Swingin for the bad times.    
My name is Teneisha and I’m number 9.
I’m kickin it with the genuine. (or "I'm kickin it with Busta Rhymes.")
If you ever see me on the street, you better speak.
“Long time, no see.”
Sexy as I wanna be.
Some hittin me high.
Some hittin me low.           
Some hittin me where you want to go.

(repeat rhyme as many times as you want)


There are many different versions of “Hollywood Goes Swingin” . The titles that I have collected are "Hollywood Now Swingin", “Hollywood Keeps Swingin” and Hollywood Not Swingin”. Barbara Michels and Bettye White include a cheer called "Hollywood Rock Swingin' in their 1983 book Apples On A Stick, a collection of African American folklore from Houston, Texas.  All of these titles originate with the mid 1970s R&B hit song "Hollywood Swing" by Kool & The Gang.  T
he earliest version of this cheer that I have found is "Hollywood Now Swingin", Old Mother Hippletoe, Rural & Urban Songs (Anthology of American Music, NW 291-Mono, 1978).  This recording captures African American girls performing what Kate Rinzler, the author of the record text, refers to as "cheers".  Rinzler refers to a 1973-1975 field study by the Festival of American Folklore that describes these cheers as "girls taking turns doing a dance step or a simple gymnastic trick."  In that record the beat is much faster than what appears to have been used (as a foot stomping chant) in Pittsburgh. Because the accompanying text refers to cheers, and because I can hear foot stomps as well as hand claps while these un-named Washington D.C. girls are chanting, I presume that this an example of  what I call "street cheers". It should be mentioned that "Hollywood Now Swingin" may be the "correct" title of this cheer, as the Kool & the Gang can be heard repeating this sentence as that record ends. 

I collected this "East Hills" version of Hollywood Goes Swingin'  in 1998 from two African American siblings: Teneisha (10 years) and Antoinette (11 years) who live in the East Hills section of Pittsburgh, PA. 
Except for the title and beginning five lines, the  chants' words do not come from the Kool & Gang song. "If you see me on the street, you better speak" is found in the 1960s hit song "Cool Jerk", but I'm not sure if that is actually the source for the line in this cheer. I'm unsure of the origin and meaning of the "some hittin me high, some low", some hitting me where you want to go" lines. One 1980s Pittsburgh version of "Hollywood Swingin" foot stompin cheer that I have my collection ends the "some hittin me high" section this way:
Soloist: Some hittin me on my- Don’t ask what.
Group: 
What?
Soloist:
My b-u-t-t  b-u-t-t  butt. That's what.

A
nother chant in my collection, "Chocolate City" ends the same way.  This may mean that "what...my butt" is a floating verse, used in a number of cheers.  Or it may mean that the group confused, or purposely used the ending of one cheer with another. Given the preceding "Sexy as I wanna be" line, my guess is that the soloists in both cheers are playing the role of the sexy temptress. They are promoting themselves as being so sexy that males would want to touch the girls' entire body (high & low), including their butt ("where you want to go").  The soloists are also implying that they allow some males to touch them, but not every male. It's as if the soloists are taunting some ("unworthy") hypothetical male admirers, saying "dream on". In that context, the line should be spoken this way: "some hittin me where you want to go".  However, I can't recall that Teneisha and Antoinette put emphasis on that word.  But, as support for this suggested meaning, I offer the fact that many older adults would consider late 20th and early 21st century Black social dancing to be "dirty dancing".  When couples dance, the males are constantly trying to "touch on" the females, high & low.  It is a common practice in R&B dancing nowadays for the males to rhythmically pat the females' butt or cradle the female's booty while they dance. Given the content and spirit of both the "Hollywood Swingin" and "Chocolate City" cheers, I don't think that  "Some hittin me on my... butt" has the same meaning as the confrontation challenge and insult "Kiss my butt".

The "kickin in with the genuine" line may mean "Kickin it for real" (i.e. with much enthusiasm, genuinely. Or it might mean "Kinkin it with Ginuwine". With this spelling the phrase means hangin out, relaxing, and enjoying themselves with  the the
popular R&B vocalist Ginuwine (whose debut album came out in1996.)  Of course, I neglected to ask the girls whether they meant "genuine" or "Ginuwine".  In fact, I neglected to ask the girls what any of these lines meant.  My bad.

Teneisha and Antoinette performed Hollywood Goes Swingin'  as a handclap rhyme.  My daughter
Tazi, who was present at their performance, remembered it from the 1980s as a foot stomping street cheer that was performed in a horizontal line like other street cheers. The fact that this handclap rhyme has a beginning section that is recited in unison as well as an individually recited  "My name is.." section suggests that it was used, if not originated, as a street cheer. Unlike street cheers, there are no foot movements in handclap rhymes.   Teneisha and Antoinette stood facing each other in the same spot and their feet remained flat on the floor throughout their entire performance. Also, my daughter indicated that this handclap version  of Hollywood Goes Swingin was performed at a much faster pace than she remembers was used for the foot stomping street cheer. And like many handclap rhymes, the pace kept getting faster until one of the girls messed up the routine (i.e. slapped with the wrong hand). Teneisha and Antoinette used traditional handclap movements such as slaps with both hands, palm up, left/right and back handed. When they said "some hittin me high", the girls reached up high and clapped their partner's hand. When they said "some hittin me low", the girls dipped down low and clapped their partners' hands. At least during this rendition, there was no imitative movement for the words "where you wanna go". 

In 2004, I  recorded a handclap performance of "Hollywood Goes Swingin" by African American elementary/middle school girls (9-13 years) in the  Garfield section of Pittsburgh. The lyrics were substantially the same as those of the featured chant, but with other "number" verses, such as
" I'm soul sister number 2, I'm kickin it with Scooby Doo (or "with Winnie the Pooh") . And these girls ended the cheer with "don't ask what, my b-u-t-t, butt" ending, confirming that some things change, and some things stay the same.

Do you know any chants like this?  Share them with CocoJams!

 
 

Contact Us form

        
Disclaimer: Alafia Cultural Services is not responsible for the content of any websites
 other than those that are programs of that organization.

Copyright © 2001
Azizi Powell; All Rights Reserved
Last modified: November 26, 2008